Michael Rudolph 2003: "The Quest for Difference vs the Wish to Assimilate: Taiwan's Aborigines and their Struggle for Cultural Survival in Times of Multiculturalism" (Abstract of paper published in: Rubinstein, Murray & Paul Katz (eds) 2003, Religion and the Formation of Taiwanese Identities. New York: St.Martins/Palgrave (ISBN: 0-312-23969-6), p. 123-156.)
1. Tian Guishi's
homepage 'The Facial Tattoo of Tayal' 2. Acceptance of the cultural
perspectives of elites within Aboriginal society 3. A methodological
excursus 4. Multicultural
Taiwan 5. Taiwanese Multiculturalism 6. The Background and
Functions of the Multiculturalism of the 90s and the Role of Aborigines 7. The Strive for Authenticity 8. The Quest for
'Yuanzhumin-Subjectivity': the 'Re-emmergence' of Headhunting 9. The Reasons for the
Change of Attitude towards Headhunting 10. Taiwanese
subjectivity and Aborigines subjectivity: the search for new paths for the
deconstruction and subversion of Han-hegemony and Han-centrism Abstract
The
advantages and disadvantages of multicultural politics for minority groups are
widely discussed (Taylor 1992); so are the impacts of multiculturalism to the
notion of culture: one of the most notable shifts is a growing tendency to
'stage difference and authenticity' in order to be recognized in one's 'right
to be different' (Schiffauer 1997). The
claim for multiculturalism in Taiwan's political and cultural sphere since the
early 90s affects Taiwan's Austronesian population and the cultures of these
peoples in various ways. It can be observed that particular segments of
Aboriginal society (which may differ in social strata as well as in ethnic
backgrounds) often have completely different and even mutually excluding views
on the question of which parts of a particular culture shall be preserved,
revitalized, renewed or omitted - a divergency which fosters new contradictions
between ethnic elites and the people. For instance: During the first Aboriginal
Culture Congress in 1994 Taiwanese Aboriginal activists staged a symbolical
'culture headhunting raid' in order to utter their demands for cultural,
educational and political autonomy more convincingly. This action was by no
means praised by all members of Aboriginal society. On the other hand,
activists often express their discontent about the 'lack of authenticity' in
the innovational activities of Aborigines engaged in representation of
'Aboriginal culture' for tourism. This paper, partly based on field research in
Taiwan from 1994-96, discusses the relation of Aboriginal culturalism to
popular culture as well as the socio-cultural context in which the strive for
recognition takes place (i.e., the values minority groups refer to). My
paper mostly focuses on the last point I mention in my abstract, that is 'the
socio-cultural context in which the strive for recognition takes place and the
values minority groups refer to'. During my stay with the Taroko in Hualian, I
realized that ordinary people often have very different perceptions of their
own past than the elites, who are (and may also feel) expected to expose their
'authenticity' or their 'Aboriginal subjectivity' in order to nourish and
testify 'Taiwanese subjectivity'. If the latter wants to continue to serve as a
crucial legitimizing factor for non-unification and non-incorporation, it has
to show its maturity, which is only possible by testifying that
'multiculturalism' (which itself serves as a testification that there exists
more than one homogeneous, mainland based Chinese culture on Taiwan) works.
Picture 1: Cover of the Comic `The
Wushe-Incident`, written and painted by Qiu Ruolong (1990). Picture 2: Cover of the book of Liyijing Youma
(1995) `Tradition` with paintings of Qiu Ruolong. Picture 3: Headhunting-Scene
from the colletion of Atayal legends of Duo`ao and Adong (1991), painted by Qiu
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